A little more formal than usual, which is a new look in my eyes. Formality and sensuality don't mix easily. The formal quality and classicism are similar in some ways, and you and Donna have made some wonderful "romantic realist" work, both here and before. I'm comparing this one with "Light" I believe. It's the sober, maybe stern, expression, that brings the clash. As if she should be wearing a business suit for the CEO portrait, rather than the emotional message that the nude portrait naturally sends. Did I say that she's my new (sorta-)muse? She's able to stir a man's heart, I tell ya.